Exceptional works of historical computer art available for sale.
A unique plotter output from Harold Cohen's early explorations with computers and AI. With extraordinary provenance.
A 1976 portfolio by Manfred Mohr, the German-American algorithmic artist whose disciplined investigation of generative geometry made him a foundational figure of computer art.
A ca. 1952 oscilloscope photograph from the Mary Ellen Bute archive, bearing the Ted Nemeth Studio stamp. One of the earliest works of computer art.
Schwartz's celebrated study superimposing Leonardo's self-portrait over the Mona Lisa. Both an art-historical claim and a work of art.
A late large-scale work from Charles Csuri's Mosaic Series — sequential frames stitched into a single layered woven composition. Archival ink on canvas, 60 × 84 in.
A 1979 plotter drawing by Bill Kolomyjec, personally dedicated to Ken Knowlton and acquired from the Knowlton Estate — a direct artifact of the Bell Labs computer-art circle.
A ca. 1952 negative from the Bute archive carrying two oscilloscope-photograph exposures on a single frame — an unusual artifact of the artist's working method.
A ca. 1950 oscilloscope photograph by Hy Hirsh — a pioneering figure in visual music and abstract photographic experimentation, working alongside the foundational electronic-imaging practices of Laposky and Bute.
A 1967 painting by Roman Verostko, predating his pioneering work in algorithmic art — from his pre-computer period of contemplative, scripturally-inspired abstraction.
The original 1960/1961 Bell Telephone Laboratories box set — a small private release documenting the first generation of computer-generated music, recorded on the IBM 7090.
